Tuesday, August 22, 2017

Total Eclipse of the Bonnie Tyler

We just had a solar eclipse.  It was amazing.  To celebrate I made a special cover of "Total Eclipse of the Heart".  Played with the video it's fantastic, but youtube's copyright bots hate it, so I had to take it down.  SoundCloud's letting me post the audio, though:

Thursday, March 30, 2017

Bears, beets, battlestar galactica...

...Beastie Boys, barbershop.

The internet came to me and a dream and asked me to make this.  Now you can hear 90's rap rock in olde tyme 4-part harmony.

Sunday, March 5, 2017

More music played wrong

For a recent love-themed Valentine's Day concert some friends and I decided to cover Elton John's "Can You Feel the Love Tonight".  I insisted on changing the instrumentation, though.  For an Elton John tune that means no piano.  First we tried out voice with a violin-cello duet, but that didn't quite work out.  The vocalist suggested replacing the violin with guitar and we eventually got to the version below.  It's Mallory on vocals, Kelli on cello, and myself on guitar.  Enjoy!

Monday, February 20, 2017

Music with people!

A lof to the stuff I post is multi-tracked recordings I do alone, but I currently have the good fortune of knowing a number of people nearby who also like to play.  Recently we put together a group to organize some local free concerts.  This is from the first 2017 concert of the Tennessee Valley Music Consort.  Look us up on Facebook: https://www.facebook.com/tvmconsort

Mallory, Hannah, and I are covering Lisa Loeb's "Stay":

Sunday, December 18, 2016

Audio sketchbook

Here's another short instrumental track.  I don't know what these things are really.  Some instrumental music is very deliberate, like a sonata or a symphony.  Other pieces are a vehicle to show instrumental prowess, like a jazz combo playing an instrumental of a familiar song.  These are just kind of mood sketches.  Maybe they're background music for movies that won't ever be made.  They remind me of the 30-second filler instrumental tracks that some bands put on their albums.  I always thought those sounded like the band just messing around in the practice space.  Maybe that's the primordial soup that gives birth to the more popular songs that come later.

This one has got acoustic guitar, fretless bass, hammond organ, and ukulele.  There's a bit of rumbling at the beginning as the worn-out tubes in my ancient organ crackle through the spring reverb tank.  It was recorded on one of the cool, rainy evenings we get in the South in December instead of snow.  The video shows my view from the Reaper recording software.  This is what I see as I adjust track levels, add effects, and hunt audio gremlins.  

Wednesday, September 21, 2016


I collect musical instruments.  Okay, maybe "hoard" is a better word.  They just fascinate me.  Music is such a curious thing.  It's a language with no obvious practical purpose, but one that so many people learn to understand, even if they never speak it.  And instruments are where physics, engineering, and human expression all come together to make it happen.  Growing up I learned to fix instruments since new ones were too expensive.  Along the way, though, I developed a love for old, loved, abused, anachronistic, out of the ordinary instruments.  Someone had them before me.  What music was played on them?  What music is left in them?  How did people make tools for musical expression before computers?  Before transistors?  Before electricity?  I've got a timeline of instruments from the past hundred years that answer those questions.

Anyway, I end up bringing home strays more often than I probably should.  A month ago I got an old, broken Korg DW-6000 synthesizer from someone for $5.  It looks like a cheap toy keyboard, but it's got golden guts.  An hour a another $5 for parts were enough to bring it back to life.  I had thought that I'd fix it up and sell it quickly to get money for a microphone or some other equipment, but now that I've played it I think it may have to stick around in my musical instrument retirement home.  Here's a recording with all of the parts played on the DW-6000 (except for some percussion on a box drum):

Monday, August 1, 2016

Good grief, Charlie Brown

Looper pedals are fun.  They let you record a little snippet of music and then player other parts on top.  It's the same sort of thing I typically do when recording songs, but without stopping.  Finding songs that lend themselves to being built up a part at a time can be a little tricky, though.

I thought it would be fun to take the old jazz piano theme from Peanuts, "Linus and Lucy", and grind it out on a distorted guitar.  A google image search revealed that I'm not the first to imagine a punk rock Charlie Brown:

The guitar is a $50 Peavey "Rockmaster" that I've gutted and reworked.  The pedal is a zoom $50 multi-effects unit.