So, as we continue to stumble through the 12 Days of Good Lovin', our definition of a 'song cover' is broadening. You may have noticed from the very start that I've never actually posted a full version of the song, with all of the verses, etc. I even had the gall to fade several of the recordings out at the end as if to imply that I actually had recorded the entire song, but just didn't feel like posting the whole thing. Not so. Uncle Reeree is a lazy son-of-a-monkey's-Chief. After several hours I end up with one or two minutes worth of a song and I decide to call it good. Without the fades, each time you would hear the solo line wander from fun to annoying before finally ending up in the land of musical incoherence. Eventually the supporting chords would get tired of vamping and venture into an experimental modulation that leaves the bass synth still splatting back in the previous key. The drums would drop out altogether. The vocals would start fishing for potential harmonies or scolding children playing "catch the paint can" in the den.
Well, this time you get to hear a piece dissolve at the end. This next cover preserves the chords from the original Good Lovin', but fails to include any of the lyrics. Instead we have a short exchange between a British expert in something-or-other and a young student.
Good Lovin Dec 14 by are.kay.more